Mate

After a long time apart, local no-hoper John must take care of reserved schoolboy Jack over a single weekend in an insular working-class outpost of Western Sydney. However, Jack's attempt to re-establish their relationship is threatened as John's self-destructive nature emerges. Mate is an uncompromising examination of masculinity, maturity and explores the challenges of personal growth within a changing social landscape.

Winner of the The Grand Prix Clermont-Ferrand International Short Film Festival Award (2022)
Best Director, George-Alex Nagle and Best Actor, Josh Brennan Sapporo Short Fest (2022)
Best Foreign Short Boston Film Festival (2022)
Cinematic Achievement Thessaloniki International Short Film Festival (2022)
Best Short Rabat International Author Film Festival (2022)

Nominated for Best Editing in Drama The Australian Screen Editors Guild (2022)

…a story so simple in the relationship between two opposite characters but at the same time so complex in not judging anyone and allowing mistakes and cowardice as a way of expressing one’s inability to be in the world . What could have been a classical, simplistic and moralistic tale suddenly becomes a very strong piece about hidden depression, about wanting to be better, so intense and emotionally powerful thanks in a big part to the extraordinary performances by Joshua Brennan and Jeremy Blewitt” - Gregory Audermatte, ARTE

I am Kai

Kai Clancy is Brotherboy; an Indigenous transmasculine person. Kai navigates traditional roles and his identity within his culture and share's his life now, nine years after his top surgery and transition.

Available now on ABC iview

An intimate chat with Lui, Ben and Stella as they explore labels used within the LGBTQIA+ to find their tribes and self-identify their sexual interests when online dating. But do these labels pigeon-hole their relationships?

Available now on ABC iview

Are You Into Labels?

Asher and Charlie are two very different brothers. Asher likes fishing and swearing. Charlie likes tea parties and crafts. Their relationship undergoes a test of almost mythic proportions when Asher's confusion and anger boils over into a mindless act of cruelty.

Directed by Brendon McDonnal

Winner of Best Film IRIS Prize Film Festival (2014)
Best Film Sydney Mardi Gras Film Festival (2014)
Nominated for Best Editing in Short Film Australian Screen Editors Guild (2013)

All God’s Creatures

Mia wants to drink more. Dance more. Sleep more. But is there more to life than this? THIS FERAL LIFE is a lyrical, meditative look at life, loss and longing in a small country Australian town.

Directed by Melissa Anastasi for The Australian Theatre for Young People’s The Voices Project

This Feral Life

Max lives in the country and works for her father as a mechanic in his workshop. At home she helps her mother take care of her disabled sister. Max feels like she will never be able to find the courage to voice want she really wants ― but then she meets Bel.

Directed by Liz Cooper

Winner of the Metro Screen NSW Filmmaker Mardi Gras Film Festival Sydney (2015)

Like Breathing

Ricochet

The beginning and end of a love story. Featuring Daniel Henshall (Snowtown, Acute Misfortune), Ben Winspear (The Babadook) and Adele Querol.

Directed by Laura Scrivano

A fishing crew lands the ultimate catch: A mermaid. Captive and sold to the highest bidder, she is left in the care of a boy who takes it upon himself to return her to sea. Throughout her journey, we are exposed to the best and worst of the human condition.

A film by Thomaz Labanca

Winner of Best Cinematography Short Film ACS Gold Award

The Mermaid

Corinna puts her ballet shoes back on to re-enact the 3 years she spent convincing the world she was dying.

Directed by Hollie Fifer

Corinna

Who’s a Fly Bird?

’Who’s A Fly Bird?’ is three portraits of interpretive birds in disconnected locations to project a colourful, unique and sustainable vision for the future of fashion.

Directed by Bianca Tomchin and Mathew Harvey

Winner of Best Art Design Canberra Short Film Festival (2018)
and Best Editing at Flerieu Film Festival (2019)

The Kill Club

When certain things in life are too hard to process, escaping into a world of murder makes things easier to bear.

Directed by Kerinne Jenkins

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